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George at Moscow International Film Festival.
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Swallowtail Butterfly (1996) was nominated for the Golden St. He made his feature film debut Love Letter in 1995.
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His TV drama Fireworks, Should We See It From the Side or the Bottom? (1993) earned him the Director’s Guild of Japan New Directors Award. He wrote and directed numerous music videos, commercials and television dramas before he moved to cinema. Shunji Iwai graduated from Yokohama National University in 1987. Interview with Shunji Iwai: Throughout the Shooting, I Felt as if I Was Inside a Submarine Rko, who owned the rights, licensed Kong to the famous Toho film studio in Japan – resulting in King Kong v
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King Kong The success of the 1931 Hollywood epic King Kong would not only kickstart the ‘creature feature’ genre, but also became a staple part of Japanese kaiju film.
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To celebrate the release, here’s a look at the magnificent seven key players on the monster movie scene. The Daimajin Trilogy has been brought back to life by Arrow Video in a Limited Edition 3-disc collection that comes with postcards, a 100-page book, and beautiful restorations of the three classic 1960’s kaiju films. Among the multitude of magnificent monsters was Daimajin, inspired by the ancient Golem story where a large stone-carved being comes to life. The ‘kaiju’ film – the Japanese giant monster movie – includes such classic screen icons as mutated sea monster Godzilla, flying caterpillar deity Mothra and towering turtle Gamera. The traitor Samonosuke (Ryutaro Gomi) then claims the throne, forcing servant Kogenta ( Jun Fujimaki) to take the lord’s two small children Tadafumi ( Yoshihiko Aoyama Mixing together the kaiju scale of destruction with a jidaigeki story framework and setup, the first of the Daimajin trilogy is available in a spectacular boxset from Arrow Video A samurai lord of a once peaceful village was murdered by one of his own men. Spurred on by this success, rival Daiei studios attempted their own kaiju cash-cow in Gamera: The Giant Monster which would soon become its own franchise after the studio attempted this new effort headed by veteran director Kimiyoshi Yasuda. Her mother is an amnesiac after a car accident six months earlier, her sullen sister is confined to the attic and a young housemaid dies inexplicably of a heart attack just before Sayuri arrives… is it all connected toįilm Review: Daimajin (1966) by Kimiyoshi Yasudaīy the mid-1960s, Toho Studios had fully showcased the broad, international appeal of the kaiju film with numerous Godzilla and other stand-alone genre entries like Rodan, Varan the Unbelievable, and Mothra among numerous others that were scoring global success. Noriaki Yuasa’s The Snake Girl And The Silver Haired Witch (1968) will be available on Blu-ray September 21st from Arrow Video What do you get when Noriaki Yuasa, director of Daiei Studios’ much-beloved Gamera series, makes a monochrome film adaptation of the works of horror manga pioneer Kazuo Umezu (The Drifting Classroom)? The answer is 1968’s The Snake Girl and the Silver-Haired Witch, a fantastically phantasmagorical slice of twisted tokusatsu terror ostensibly made for children that will irreparably traumatize any child that sees it! A young girl named Sayuri is reunited with her estranged family after years in an orphanage – but trouble lurks within the walls of the large family home.
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